Reviews

There Is No Sea: A Poetry Book as a Construct and an Event

According to the publisher’s blurb, Jūros nėra (There Is No Sea), the fifth book of poetry by the poet and philosopher Aušra Kaziliūnaitė, is conceptual and performative. In it, the author develops the idea actualised in her earlier collection, Esu aptrupėjusios sienos (I Am Crumbled Walls): the interaction between images and texts expands the semantic

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The Little Flowers of Saulytis

In Lithuanian, the saying “It’s just some little flowers” means that the event in question has not reached its full extent, that it is only the beginning, nothing to be taken too seriously. However, sometimes the things that, at first glance, seem simple and superficial are anying but.  Sometimes, hidden depths and additional meanings lie

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A Collection That Has Changed the Notion of Literature

Saulius Tomas Kondrotas is an exceptional phenomenon in Lithuanian literature. In 1977, when Brezhnevian stagnation was in its second decade, he made his debut with the memorable short story collection Pasaulis be ribų (A World Without Boundaries). He inspired and taught his own and subsequent generations to trespass boundaries and expand them. “To shed off the harness

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Light of Poetry

Jonas Zdanys’s The Angled Road: Collected Poems 1970-2020 covers the astonishing career of a well-known poet. After all, fifty years of anything—marriage, employment— is quite an accomplishment, and in our world today, just living that long is getting more impressive by the hour. As with any anniversary of such magnitude, a celebration is in order, and mostly

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“Exiled Home”: A Review of North of Paradise by Rimas Uzgiris

The early twentieth century analytic philosopher Ludwig Wittgenstein is perhaps best known for his provocative statement: “Whereof one cannot speak, thereof one must be silent.” Despite the poetic nature of the aphorism itself (rhyme, repetition, rhythm, parallelism), it does pose an existential challenge for a lyric poet—one who strives to give words and form to

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A Modern Poetic Atlas

The poet, architect, and traveller Tomas S. Butkus (Slombas) rarely has work published, but when his books appear, they turn into an event. Ežerožemė (Lakeland), written from 1997 to 2020, reveals that Butkus’s poetry has absorbed a fair dose of the sweeping spirit typical of the first ten years of Lithuania’s independence. In the early 1990s,

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